Slaughterhouse-Five: A Literary Analysis

The maneuvering of time in Slaughterhouse-Five by Kurt Vonnegut is no doubt far from usual, but Vonnegut’s writing style allows for a better understanding of the events and their sporadic timeline. In Slaughterhouse-Five by Kurt Vonnegut, Vonnegut’s manipulation of time contributes to the effectiveness of the work as a whole because it allows him to effortlessly transition between life and death, create a deeper impact on the reader for different events, and allows an understanding of the fluctuating settings throughout the novel.

Many writers in history have written science fiction novels and had great success with them, but only a few have been as enduring over time as Kurt Vonnegut's Slaughterhouse-Five. Slaughterhouse-Five is a personal novel which draws upon Vonnegut's experience's as a scout in World War Two, his capture and becoming a prisoner of war, and his witnessing of the fire bombing of Dresden in February of 1945 (the greatest man-caused massacre in history). The novel is about the life and times of a World War Two veteran named Billy Pilgrim. In Slaughterhouse-Five, Kurt Vonnegut uses structure and point of view to portray the theme that time is relative.

Slaughterhouse-Five book is antiwar novel, and it written by Kurt Vonnegut. A man named Billy Pilgrim who is unstuck in time, and always goes all relives various occasions throughout his life. Billy pilgrim is a main character in this book. “Billy is born in 1922 in Ilium, New York. He grows into a weak and awkward young man, studying briefly at the Ilium School of Optometry briefly before he is drafted” (Borey 1). Then, after training he sent to the Germany during the war. Billy acknowledges diverse values and sees horrible and morbid occasions in a different contrast to others. Billy experiences acknowledges a lifestyle that is not visible to other people. Many readers would contend that Billy's encounters make him crazy; however,

Throughout Slaughterhouse-Five, Vonnegut chooses to use special literary techniques that better explain his own encounters in war as well as help his readers bare the horridness of war. Vonnegut adds black humor in his text to benefit readers as well as “an author-as-character” perspective to set barriers and help protect his own memories in the war. Without adding these two specific devices, Vonnegut could possibly have lost reader’s interests in the book or lost his own interest in writing the book.

Kurt Vonnegut followed many principles in his writings. He claimed that “people do not realize that they are happy” (PBS NOW Transcript). Feeling that people had the wrong view on war, he felt that he needed to get the facts straight. Vonnegut believed that art can come from awful situations, and that the truth is not always easy to look at. Kurt Vonnegut wrote Slaughterhouse – Five to tell of his experience in the bombing of Dresden, as a prisoner in war and the atrocities that occurred.

The Slaughterhouse Five novel, is a fictional and nonfictional delight all clashed into one. The author, Kurt Vonnegut, amazingly combines a fictional character’s life with the nonfictional influence of what Kurt himself had experienced. As well as major topics being debated on and dealt with today. Billy Pilgrim takes hold of the story’s main protagonist as a prisoner of war during the Dresden raids in eastern Germany. While reading, I found many relationships in the novel to common concerns, such as time and death; too correlated opinions from other anti-war enthusiasts.

One of the most reoccurring discussions on Kurt Vonnegut’s Slaughterhouse-Five seems to be on the meaning of the book. Straight into his

Regardless of the angle in which Slaughterhouse-Five is approached, there is no escaping the destructive properties of warfare the book entails. The novel chronicles Billy Pilgrim, a New York man who has become “unstuck in time.” As a result, the narrative is structured in sections, jumping back and forth through time and space. Billy begins the novel a boy, already dealing with the perils of life from the bottom of a swimming pool. He grows to become a rather awkward and unattractive adolescent who enrolls in an Optometry school only to be drafted into the army during World War II. A weak youth, his battle skills land him a prisoner of war behind German lines. Throw in a nervous breakdown, morphine, brutal living conditions, and the

War is a tragic experience that can motivate people to do many things. Many people have been inspired to write stories, poems, or songs about war. Many of these examples tend to reflect feelings against war. Kurt Vonnegut is no different and his experience with war inspired him to write a series of novels starting with Slaughter-House Five. It is a unique novel expressing Vonnegut's feelings about war. These strong feeling can be seen in the similarities between characters, information about the Tralfamadorians, dark humor, and the structure of the novel.

Kurt Vonnegut did a great job in writing an irresistible reading novel in which one is not permitted to laugh, and yet still be a sad book without tears. Slaughterhouse-five was copyrighted in 1969 and is a book about the 1945 firebombing in Dresden which had killed 135,000 people. The main character is Billy Pilgrim, a very young infantry scout who is captured in the Battle of the Bulge and quartered to a slaughterhouse where he and other soldiers are held. The rest of the novel is about Billy and his encounters with the war, his wife, his life on earth, and on the planet Tralfamador.

Slaughterhouse-Five has two narrators, an impersonal one and a personal one, resulting in a novel not only about Dresden but also about the actual act of writing a novel - in this case a novel about an event that has shaped the author profoundly. The novel's themes of cruelty, innocence, free will, regeneration, survival, time, and war recur throughout Vonnegut's novels, as do some of his characters, which are typically caricatures of ideas with little depth. Another mainstay is his use of historical and fictional sources, and yet another is his preference for description over dialogue. These aspects of Vonnegut's literary style make the adaptation of Vonnegut to the screen all the more difficult. Ironically, many Vonnegut novels flow with a cinematic fluidity. As described in Film Comment, "Vonnegut's literary vocabulary has included the printed page equivalents of jump-cuts, montages, fades, and flashbacks.

The book Slaughterhouse-Five, written by Kurt Vonnegut, is an anti-war book about Vonnegut’s exposure to the vivid events that unfolded during his time at the slaughterhouse in Dresden, Germany and how it affected him. The story is told by Vonnegut through the perspective of the main protagonist, Billy Pilgrim. Billy was a survivor from WWII and the Dresden bombing, but after returning he claims to have traveled through time to explicit memories from life and had been abducted by Tralfamadorians (aliens). However, in the film Slaughterhouse-Five, directed by George Roy Hill, viewers see slight changes to the storyline. Viewers notice that in the opening scene that Vonnegut’s friend Bernard O’Hare and his wife, Mary O’Hare, are never

Kurt Vonnegut’s book, Slaughterhouse-Five, an antiwar book that took 23 years to write, is not what he thought it would be. He explained early on to

Slaughterhouse-five strives to remember the tragedy of the bombing of Dresden. Kurt Vonnegut constructs his novel around a main character who becomes “unstuck in time” (23). Billy Pilgrim’s life is told out of order, which gives him a different perspective than the rest of the world. Billy lives through his memories, and revisits events in his life at random times and without warning. Vonnegut introduces Billy Pilgrim to the Tralfamadorian way of thinking about memory and time so that he can cope with being unstuck in time. The Tralfamadorian ideology is set up as an alternative to the human ideology of life. In the novel Slaughterhouse-five, Kurt Vonnegut constructs a reality where memory is unproductive through the Tralfamadorian

Slaughterhouse-Five, a novel written by Kurt Vonnegut, tells the story of the devastating effects of war on a man, Billy Pilgrim, who joins the army fight in World War II. The semi-autobiographical novel sheds light on one of history’s most tragic, yet rarely spoken of events, the 1945 fire-bombing of Dresden, Germany.